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Disney

Discover More About The Lion King

Disney’s award-winning musical The Lion King explodes with glorious colours, stunning effects and enchanting music. It follows the powerful story of Simba as he journeys from wide-eyed cub to his destined role as King of the Pridelands.

Now in its 28th year at London's Lyceum Theatre, visionary director Julie Taymor’s acclaimed reimagining of Disney's beloved film will redefine your expectation of theatre.

Production Photographs

  • Performer as Rafiki in vivid yellow, red and blue face paint and beaded costume, holding a staff, with leaping antelope and dancer silhouettes against a fiery red sky.

    Rafiki represents a Sangoma healer from southern Africa. You will see a number of different ‘medicinal’ items on her costume including bottles and shells. She walks using a staff suggesting age and wisdom.

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    Rafiki represents a Sangoma healer from southern Africa. You will see a number of different ‘medicinal’ items on her costume including bottles and shells. She walks using a staff suggesting age and wisdom.

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  • Performer as Mufasa in an ornate lion mask and orange robes kneels on stage, surrounded by dancers in grass-fringed costumes and headdresses.

    Mufasa's mask is circular and symmetrical like the sun, it implies that he is balanced and in harmony with nature. 

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    Mufasa's mask is circular and symmetrical like the sun, it implies that he is balanced and in harmony with nature. 

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  • Performer as Scar in an orange costume and lion headdress, crouching among hyena puppeteers amid blue-lit elephant bones.

    Scar’s headpiece does not include the same circular form as Mufasa's. It is distinctly asymmetrical, sharp and spikey reflecting his persona.

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    Scar’s headpiece does not include the same circular form as Mufasa's. It is distinctly asymmetrical, sharp and spikey reflecting his persona.

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  • Performer as Zazu puppeteer in blue costume and bowler hat with hornbill puppet, beside young Simba and Nala in tall grass.

    Zazu is represented by two elements – the actor who plays the character, and the puppet. This is an example of the 'double event' which allows the audience to encounter the animal traits of the design and the human emotions of the actors simultaneously.

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    Zazu is represented by two elements – the actor who plays the character, and the puppet. This is an example of the 'double event' which allows the audience to encounter the animal traits of the design and the human emotions of the actors simultaneously.

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  • Two performers playing Nala and Simba wearing scultped lion headdresses and ornate costumes kneel facing each other as ensemble cast in green foliage puppetry surround them on a blue-lit stage.

    There are over 350 complete costumes in the show, each consisting of several different elements.

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    There are over 350 complete costumes in the show, each consisting of several different elements.

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  • Three performers in grey hyena costumes with snapping puppet jaws and bristling manes, snarling on a lit stage before red panels.

    The Hyena's boiler suit costumes have black patches which appear to be tearing off. This signifies that the Hyenas are scavengers and covered in scars.

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    The Hyena's boiler suit costumes have black patches which appear to be tearing off. This signifies that the Hyenas are scavengers and covered in scars.

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  • A performer operates a life-size cheetah puppet on stage, with two towering giraffe puppets in the background and a glowing orange sun backdrop.

    The actors who portray the giraffes each walk on 4 stilts whilst wearing a tall headpiece which forms the neck and head of the animal. 

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    The actors who portray the giraffes each walk on 4 stilts whilst wearing a tall headpiece which forms the neck and head of the animal. 

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  • Performer as Rafiki in ceremonial costume stands with arms outstretched beneath a silhouetted tree, surrounded by performers carrying tall grass against a fiery red-orange sky.

    Cast members bring various scenes to life as a living, breathing landscape. The grasslands are depicted by cast wearing grass pallets on their heads as they gracefully sway in unison.

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    Cast members bring various scenes to life as a living, breathing landscape. The grasslands are depicted by cast wearing grass pallets on their heads as they gracefully sway in unison.

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  • Behind-The-Scenes Videos

    Visionary Director Julie Taymor
    Hear from director Julie Taymor about her concept for the stage production of The Lion King.

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